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2026 and Feast of Fiddles are out again – their 31st tour. Born in Nettlebed on Valentine’s Day 1994 as a one-off special concert, Feast of Fiddles is a band of friends that puts on a show of huge dynamic range performed with passion, joy and a liberal dose of fun.
Phil Beer (Show of Hands), Garry Blakeley (Band of Two), Marion Fleetwood (Trad Arr, Sandy Denny Project), Mark Jolley (Banter), Tom Leary (Joe Brown) and Simon Swarbrick (Merry Hell) bring a large range of fiddle playing styles to the rock back-line – all held together by legendary drummer Dave Mattacks.
This year Phil Beer will join for seven performances and former dep Mark Jolley joins the band for the whole tour. This is a live music entertainment like no other on the circuit which is guaranteed to be enjoyed by even the most doubting of friends dragged along!
“Absolutely awesome!” – Sue Marchant, BBC East
“Britain’s fiddling supergroup” – Mark Radcliffe, BBC Radio 2
“The best fiddle players of a generation” – Ian A Anderson
Visit the bands website here
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Cast:
To be confirmed
Creatives:
Choreography MARIUS PETIPA after JEAN CORALLI and JULES PERROT
Music ADOLPHE ADAM Edited by LARS PAYNE
Conductor VELLO PAHN
Scenario TH'OPHILE GAUTIER after HEINRICH HEINE
Production and Additional Choreography PETER WRIGHT
Designer JOHN MACFARLANE
Original Lighting JENNIFER TIPTON Re-created by DAVID FINN
Synopsis:
The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle's grave, where he must face the Wilis and Giselle's ghost.
Peter Wright's 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam's evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.
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The Kitchen Brigade
Director: Louis-Julien Petit
Running Time: 107 Minutes
Cast Includes: Audrey Lamy & Francois Cluzet
Tickets: Adult £8. Under 16's £7 + Optional Lunch £6
All tickets include a £1 booking fee.
Lunch Menu: French Onion Soup with a Cheese Crouton. Ratatouille with Crusty Bread (GF, V & VG). Lunch will be served at 12:45pm.
The 2pm showing is a Thursday Matinee Club Screening - Enquire at the box office for more details
Disgruntled sous-chef Cathy Marie (Audrey Lamy) leaves her job at a high-end gourmet restaurant to pursue her dreams of becoming a head chef at her own restaurant. But when her plans don’t quite work out, she finds herself strapped for cash and with a new job running the cafeteria at the local migrant shelter, ran by Lorenzo (François Cluzet) and Sabine (Chantal Neuwirth). In charge of a run-down kitchen and needing to make food for hungry young men, Cathy hates her job, but it’s not long before she realises that she can provide valuable life skills – and maybe learn something herself too! Charming, and brilliantly performed by a talented ensemble cast, The Kitchen Brigade packs mouth-watering food, big laughs and a valuable message into its runtime.
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Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition.
Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both film and exhibition together. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts.
Turner’s blazing sunsets and sublime scenes from his travels and Constable’s idealised depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Constable represents the very best of the old school of realism and pastoral nostalgia; Turner, an exciting new way of depicting emotion and dreamlike impressions. Critics compared their starkly different styles to a clash of ‘fire and water’. Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.
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